This well listened to the drama almost naive view of American strangers feel like a tonic for problematic times. American people feels patriotic in her way. He speaks with the resistance of American character. It shows people who try to avoid political discussions while gathering in later on 11. September. The film mainly refers to a growing connection between Elliott and Joni, but the 9/11 background is crucial for his fabric. Begins with a brief view of the Nesco World of 9/10; After that he visited the city after the city was pushing in the National Dobrimor, which followed the horror that day (as opposed to hatred and protecting, which is just visiting here). It is a random journey with music – and purely American music in that. In the heart, American people He talks about the power of music to unite. His view of changing America is certainly idealistic, with people seemingly always happy to help each other and open each other … mostly. It is also a pseudo-romance in a vein of Once: Don’t expect gifted stories of stories.

Rubarth’s Joni is a good person with a big heart; She is strange and life love without feeling forced. She is unforgettable. Purdy performance as Elliott is a little monochrome, but he has enough – especially when Elliott is humbly standing for a person who comes out as a gay family. That scene is beautiful, nice to act all around, and emblematic is an emergency tenderness of the film. Director Writer David Heinz seizes his time allows Elliott and Joni’s relationship to develop, from inconsistency through the first flash touch and beyond. And when the two main character plays and sing together in a natural, foreign armor, it is an effective statement of their chemistry (again, à la Once). The result of film and cinematography are noted, as Heinz’s judicial use of symbols, such as when the character uses a spark to illuminate him in the darkness.