Taken all over the world, this almost without a word documentary shows the mother nature in her most beautiful and the best; They will make people feel insignificant to comparison. Kossoskovsky is captured by shots for Watercolor In Scotland, Mexico, Russia, Greenland, Venezuela, Portugal and various cities in the United States, as well as the Atlantic Ocean. He used special 96 frames on the second rate, which show the film at 48 frames per second – results in some kind of hyper-realistic appearance. This technique can be distributing in fiction movies, but it seems great for a documentary as this.

In addition to the total water topic and threat to the changing climate, the film segments are not directly connected to each other. And without a story or storytelling or dialogue, it’s easy to go to beautiful pictures. But Kossakovsky’s choice for use of bombing heavy metal music ratings sometimes makes it difficult to get involved in images; It’s Jarring and adds desperate sharpness for things we see. Still, Watercolor is a powerful experience as a whole. Neither hope nor hopeless. He simply claims that we are small, and the planet is great. Regardless of political beliefs or do you believe in climate change, none of that will be important when water comes.